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October 22, 2003

friends gone missing & writing about horses

The hardest part and also the most rewarding in the writing of historical fiction is getting the details right; for that you need either a staff of research people, unlimited time, or helpful collaborators. While I was writing Into the Wilderness I had a great collaboration going with a few people I met on the research & craft board at Compuserve. It has been many years since I belonged to Compuserve, and I've lost track of most of those folks. It's the down-side of the internet, the way people drift away.

Kaera H. was one of the people who was most helpful to me (I don't know how helpful I was to her, but I tried), especially when it came to writing about horses. She had to steer me right many times, but it was always great when I finally got something right:

Me: "Richard was leaning out over the backs of the geldings, shouting to them, but they raced on, great gouts of ice and mush hurtling up from their hooves."
Kaera: This is terrific. I just had to highlight it because it's so perfect. Nothing like an idiot, shouting at the horses, feeding their hysteria -- expecting them to settle down. He totally lost it, right along with the horses! I loved it.

Don't know where Kaera disappeared to, but I still think of her and consult her old emails when I'm writing a bit about a horse -- as I was today. I wish her well and hope she's content, whereever she has landed.

movies

...I own, or should own, because I like them enough to re-watch each of them multiple times.

It was interesting to put this list together (observing my own idiosyncratic tastes; I'm sure it would be possible to draw all kinds of conclusions about me from the list), but because most readers won't care too much about this, I've put it in the extended body section of this entry (link below). Please note that there are some guilty pleasures in the list, and I'm not going to defend any of them.

I'm planning a list of favorite short stories, too, at some point (making the list leads me to re-reading them, which is a Good Thing as far as my own creative process goes) -- and I'll banish that list to the extended body (what a strange term; it evokes a lot of odd images) as well.

Aliens
A Room with a View
Blast from the Past
Bull Durham
Chaplin (1993)
Contender, The (2002)
Dirty Dancing
Elizabeth (1998)
Enemy at the Gate
English Patient, The
*Farscape
Fugitive, The
Ghost and Mrs. Muir, The (1947)
Goodwill Hunting
Groundhog Day
High Fidelity
Impromtu (Judy Davis, not widely known)
It's a Wonderful Life
Last of the Mohicans (Daniel Day-Lewis version)
*Lonesome Dove
Mansfield Park
Philadelphia Story, The
Pleasantville
*Pride & Prejudice
Reds
Rob Roy
Searchers, The
Sense & Sensibility (1996)
Shakespeare in Love
Strictly Ballroom
Shawshank Redemption, The
Time Bandits
Twelve Monkeys
When Harry Met Sally
While You Were Sleeping
Yanks (Richard Gere; bet you've never seen it)

*so it's not a movie. so sue me